The use of parallelism in Mariam a ba’s scarlet songa Stylistic analysis

dc.contributor.authorChambala, Mtumwa
dc.date.accessioned2020-05-28T08:13:59Z
dc.date.available2020-05-28T08:13:59Z
dc.date.issued2001
dc.descriptionAvailable in print form, East Africana Collection, Dr. Wilbert Chagula Library, Class mark (THS EAF P301.5.P47C49)en_US
dc.description.abstractThis study investigates the role of parallelism in the formation of themes of Mariama Ba S Scarlet Song. Parallelism falls under a broader realm of study known as linguistic st\ les. Generally, the study attempts to analyse the impact that language devices have in the portrayal of themes of literary works. Four types of parallelism are key points of the study. These are repetition, synonym, antonym and parallel rhetorical questions. The study examines how such types relate to the series of experiences described in Scarlet Song. There is also a brief discussion about fundamental concepts related to the study such as, stylistics, foregrounding and the aspect of interrelating relationship between linguistic patterns and literary themes. In the light of those concepts, and on the basis of parallelism instances, the study makes a number of interpretations of experiences contained in the text. With illustrative textual examples, the study has revealed that parallelism, as one of the linguistic styles, is capable of transmitting themes of literary works from the artist to the audience.en_US
dc.identifier.citationChambala, M (2001), The use of parallelism in Mariam a ba’s scarlet songa Stylistic analysis, Master dissertation, University of Dar es Salaam. Dar es Salaamen_US
dc.identifier.urihttp://41.86.178.5:8080/xmlui/handle/123456789/11656
dc.language.isoenen_US
dc.publisherUniversity of Dar es Salaamen_US
dc.subjectThe use of parallelismen_US
dc.subjectMariam a ba’s scarlet songen_US
dc.subjectStylistic analysisen_US
dc.subjectMusicen_US
dc.titleThe use of parallelism in Mariam a ba’s scarlet songa Stylistic analysisen_US
dc.typeThesisen_US
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